cineSOURCE Maganzine Review
Dateline-Saigon is a powerful, haunting documentary about 5 journalists reporting the truth about the Vietnam War
Dateline-Saigon, documentary, Vietnam War, reporting, reporters, journalism, Thomas D. Herman, David Halberstam, Malcolm Browne, Neil Sheehan, Peter Arnett, Horst Faas, John F. Kennedy, President Kennedy, New York Times, Associated Press, United Press International
1899
post-template-default,single,single-post,postid-1899,single-format-standard,bridge-core-3.0.6,qode-page-transition-enabled,ajax_fade,page_not_loaded,,qode-title-hidden,paspartu_enabled,paspartu_on_bottom_fixed,qode_grid_1300,qode-content-sidebar-responsive,qode-child-theme-ver-1.0.0,qode-theme-ver-29.3,qode-theme-bridge,disabled_footer_bottom,qode_header_in_grid,wpb-js-composer js-comp-ver-6.10.0,vc_responsive
cineSOURCE Magazine

22 Jun cineSOURCE Maganzine Review

Posted at 18:43h in Press by

“When these reporters arrived at Saigon—ambitious and patriotic—they had no clue that they would become the enemy.”

Written and directed by Thomas D. Herman, and narrated by Sam Waterston, “Dateline-Saigon” profiles the work of five Pulitzer Prize-winning journalists who, as young, naive men, found themselves in the early 1960s covering the nascent American war in Vietnam. The five are: Peter Arnett, Malcolm Browne, David Halberstam, Horst Faas, and Neil Sheehan.

The film covers the years 1960-1963, as President Kennedy grappled with a war of someone else’s making, based on the unsupported, flimsy idea that if South Vietnam were to be united with the Communist North Vietnam, all of Asia would become a collection of Communist countries. That was a ruse, of course.

Each journalist tells their journey of discovery of the insidious forces at work, pushing an imperialistic, not-so-hidden agenda. As they learned about the effective tactics and strategies, the deep commitments of the North to wage war—and the lack of an authentic, intense commitment of South Vietnam’s soldiers, as well as the distracting internal conflicts of the South, one-by-one the journalists came to understand the divide between reality and the United States government’s phantasies that they could easily win this war. The journalists found themselves in a micro-war between themselves and the US government. That is, they were seriously risking their lives by revealing the truth.

The bits and pieces of information about the conditions of South Vietnam during those three years foretold the inevitable failure of the United States’ chosen war. The successes of the journalists in revealing the actualities of that war to the world is commendable, yet it also led to an inevitable restriction in US military policies of journalistic coverage of US-chosen conflicts.

Although “Dateline-Saigon” tells a seven-decade old story, the issue of journalistic transparency is as vital and urgent and dangerous as ever. These five reporters made a contribution to journalistic freedom in those early sixties, and with this film, they’ve made another contribution by telling their stories for all to hear and learn today.

“Dateline-Saigon” is rich in character and story. This is another significant documentary film that could birth a narrative film or series.

Read the review here: cinesourcemagazine.com

Print page


X